{"id":154799,"date":"2025-04-24T11:28:03","date_gmt":"2025-04-24T09:28:03","guid":{"rendered":"https:\/\/bellesguardgaudi.com\/?p=154799"},"modified":"2025-04-26T10:35:00","modified_gmt":"2025-04-26T08:35:00","slug":"saps-que-gaudi-ja-va-apareixer-com-un-sant-estant-viu","status":"publish","type":"post","link":"https:\/\/bellesguardgaudi.com\/ca\/saps-que-gaudi-ja-va-apareixer-com-un-sant-estant-viu\/","title":{"rendered":"Saps qu\u00e8? Gaud\u00ed ja va “apar\u00e8ixer” com un sant estant viu…\u00a0\u00a0"},"content":{"rendered":"

Per: Ferran Garc\u00e9s<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Servent de D\u00e9u, Venerable, Beat i Sant. Aquestes s\u00f3n els quatre t\u00edtols del proc\u00e9s de canonitzaci\u00f3, segons l\u2019Esgl\u00e9sia Cat\u00f2lica Romana. Antoni Gaud\u00ed ha sigut not\u00edcia perqu\u00e8, en plena celebraci\u00f3 de la Setmana Santa, ha sigut declarat \u201cVenerable\u201d pel papa Francisco, mort mentre redact\u00e0vem aquest article. De fet, va firmar el decret de Gaud\u00ed mentre es trobava encara convalescent a causa de la seva infecci\u00f3 respirat\u00f2ria.\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

El seg\u00fcent pas \u00e9s decalar-ho beat. Un pas que haur\u00e0 de donar un nou papa. Ara b\u00e9, com s\u2019ha publicitat molts articles sobre la beatificaci\u00f3 de Gaud\u00ed, aqu\u00ed no direm res sobre aquest tema. Nom\u00e9s volem recordar una an\u00e8cdota que, a la llum d\u2019aquest proc\u00e9s, sembla prof\u00e8tica, i \u00e9s el fet que l\u2019anomenat \u201carquitecte de D\u00e9u\u201d, ja en vida, va ser descrit com \u201cvenerable\u201d i mostrat fins i tot com un sant..<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

\u201cEl m\u00e9s venerable barbut\u201d<\/span><\/b>\u00a0<\/span>\u00a0<\/span><\/p>\n

A 1893 es va fundar el Cercle Art\u00edstic de Sant Lluc, una instituci\u00f3 amb la finalitat de reunir artistes i persones afins a les idees religioses del bisbe Torras i Bages, gran amic de Gaud\u00ed. El mateix arquitecte va ser un dels primers socis, aix\u00ed com els Figueras, la fam\u00edlia propiet\u00e0ria de Bellesguard (1) Entre els fundadors del Cercle, destaquen els germans Llimona (2). Josep, era l\u2019escultor i va col\u00b7laborar amb Gaud\u00ed a la Sagrada Fam\u00edlia. Joan, que era pintor i freq\u00fcentava l’esgl\u00e9sia de Sant Felip Neri, on ambd\u00f3s tenien el costum d\u2019anar a sentir missa i cantar m\u00fasica gregoriana a \u00faltima hora del dia. De fet, aquesta era l\u2019esgl\u00e9sia on es dirigia Gaud\u00ed la tarda que va ser atropellat.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

A l\u2019oratori d\u2019aquesta esgl\u00e9sia hi ha un quadre anomenat \u201cAlabat sia D\u00e9u\u201d. Va ser pintat per Joan Llimona a 1902, l\u2019any que Gaud\u00ed estava acabant de construir Torre Bellesguard. En ell, \u00e9s mostra a Sant Felip Neri, un m\u00edstic itali\u00e0 del segle XVI, durant la cerim\u00f2nia de la consagraci\u00f3 de la Santa Missa. Mireu detingudament el rostre del sant. En efecte, les seves faccions s\u00f3n les de Gaud\u00ed (3)<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

El pintor, en certa ocasi\u00f3, va confessar que la idea d\u2019utilitzar al seu amic com a model li va venir perqu\u00e8 era \u201cel m\u00e9s il\u00b7lustre i m\u00e9s venerable barbut que hom podia trobar a l\u2019oratori cada dia a la funci\u00f3 vespertina\u201d (4) No content amb un quadre, va realitzar un segon, on, una vegada m\u00e9s, va fer servir al \u201cvenerable barbut\u201d com a model per pintar a Felip Neri. En aquest segon quadre, veiem al sant itali\u00e0 a la muntanya d\u2019Onofre, a Roma, en companyia d\u2019un grup de nens amb instruments musicals (5).<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/p>\n

I al cel, qu\u00e8 serem?<\/span><\/b>\u00a0<\/span>\u00a0<\/span><\/p>\n

El context musical del segon quadre \u00e9s important per diversos motius. El principal, pel fet que l\u2019arquitecte i el pintor compartien una gran passi\u00f3 pel cant gregori\u00e0. Un amic com\u00fa era el m\u00fasic Llu\u00eds Millet, el fundador de l\u2019Orfe\u00f3 Catal\u00e0, una de les institucions culturals m\u00e9s importants d\u2019aquella \u00e8poca, i el fundador tamb\u00e9 de la Capella de m\u00fasica de Sant Felip Neri (6)\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Qu\u00e8 hagu\u00e9s dit Gaud\u00ed del proc\u00e9s de beatificaci\u00f3 de la seva figura. Una iniciativa, recordem, adoptada a 1992, \u00e9s a dir, molt despr\u00e9s de la seva mort. Hauria desitjat Gaud\u00ed ser “venerable”, “beat”, o fins i tot, un “sant”? Mai ho sabrem, per\u00f2, potser, la seva resposta hauria estat la que va deixar escrita al llibre de signatures de l\u2019Orfe\u00f3 Catal\u00e0: “Al cel tots en serem d\u2019orfeonistes\u201d.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Notes<\/span><\/b>\u00a0<\/span>\u00a0<\/span><\/p>\n

(1) Rius Santamaria, C., (2012), <\/span>Gaud\u00ed i la quinta pot\u00e8ncia. La filosofia d\u2019un art.<\/span><\/i> Universitat de Barcelona, p. 300-311<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

(2) Bracons, J., “Joan Llimona i els artistes del Cercle Art\u00edstic de Sant Lluc”, a: Fontbona, F. (dir.), <\/span>El modernisme. Pintura i dibuix<\/span><\/i>, Barcelona, 2002, p. 101-112.<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

M\u00e9s informaci\u00f3n: Varis autors (2004), <\/span>Joan Llimona (1860-1926) Josep Llimona (1864-1934)<\/span><\/i>, cat\u00e0leg del MNAC, Barcelona<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

(3) Calasanz Laplana, Josep de (1978), \u201cL\u2019Oratori de Sant Felip Neri a Barcelona\u201d, Publicacions de la Abadia de Montserrat, p. 286<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

(4) Tarragona, Josep Maria, (3\/01\/2012), \u201cAgust\u00ed Mas i Folch<\/a>\u201d, web antonigaudi.org.\u00a0<\/span><\/p>\n

\u00a0(5) <\/span>A l\u2019article mencionat abans, a la nota 4, tamb\u00e9 es m bona selecci\u00f3 de detalls sobre la vinculaci\u00f3 musical de Gaud\u00ed amb la m\u00fasica polif\u00f2nica, pr\u00f2pia d\u2019un orfe\u00f3, i la seva connexi\u00f3 amb Millet.\u00a0<\/span>\u00a0<\/span>Altre article interessant sobre aquest tema, \u00e9s: F\u00e9rrin, Ana Maria (Gener, 2002), \u201cLa pasi\u00f3n oculta de Gaudi\u201d, Historia, A\u00f1o XXV, n\u00ba 309, pp. 9-25. A internet tamb\u00e9 es pot llegir:\u00a0Gustems-Carnicer, J., Calder\u00f3n-Garrido, D. y Ar\u00fas-Leita, E. (2018). “El Aliento Invisible: M\u00fasica y Sonido en la Obra de Gaud\u00ed”. Barcelona, Research, Art, Creation, 6(1) 72-89. Veure enlla\u00e7<\/a>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Per: Ferran Garc\u00e9s\u00a0\u00a0 Servent de D\u00e9u, Venerable, Beat i Sant. Aquestes s\u00f3n els quatre t\u00edtols del proc\u00e9s de canonitzaci\u00f3, segons l\u2019Esgl\u00e9sia Cat\u00f2lica Romana. Antoni Gaud\u00ed ha sigut not\u00edcia perqu\u00e8, en plena celebraci\u00f3 de la Setmana Santa, ha sigut declarat \u201cVenerable\u201d pel papa Francisco, mort mentre redact\u00e0vem aquest article. De fet, va firmar el decret de […]<\/p>\n","protected":false},"author":6,"featured_media":154808,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[46],"tags":[],"class_list":["post-154799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-saps-que"],"acf":[],"yoast_head":"\nSaps qu\u00e8? 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